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1000+ Literary Theory MCQs – Part 21: Postmodernism: Lyotard & Baudrillard

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Postmodernism

Literary Theory · Part 21 of 25 · 1970s–1990s

Postmodernism: Lyotard & Baudrillard

MetanarrativesSimulacraHyperrealityPastiche

What is Postmodernism? Postmodernism names both a cultural period and a set of theories about it. Jean-François Lyotard’s The Postmodern Condition (1979) defined it as “incredulity toward metanarratives”, Jean Baudrillard described a world of simulacra and hyperreality, and Linda Hutcheon studied historiographic metafiction.

This part covers Jean-François Lyotard, Jean Baudrillard and general postmodernism. The questions are drawn from previous UGC NET, SET, PhD entrance and Assistant Professor papers, and every answer comes with a short explanation. Tap an option to check your answer.

Jean-François Lyotard

1. The term “postmodernism” was used in the 1930s, but its current sense and vogue can be said to have begun with ________’s The Postmodern Condition: A Report on Knowledge.

  1. Jean-François Lyotard
  2. L.S. Lowry
  3. Jean Baudrillard
  4. Mies van der Rohe
Jean-François Lyotard’s The Postmodern Condition (1979) defined the postmodern as incredulity towards metanarratives and launched the term’s current vogue.

2. In Jean-François Lyotard’s works the term “language games”, sometimes also called “phrase regimens”, denotes:

I. the multiplicity of communities of meaning.
II. the breakdown of communities of meaning.
III. the innumerable and incommensurable separate systems in which meanings are produced.
IV. the singular system in which meanings are dispersed and displaced.
  1. I and IV
  2. I and III
  3. II and IV
  4. II and III
For Lyotard language games are the many heterogeneous, incommensurable systems in which meaning is produced, reflecting a multiplicity of communities of meaning.

3. Who coined the term ‘differend’?

  1. Emmanuel Levinas
  2. Michel Foucault
  3. Jean-François Lyotard
  4. Louis Althusser
Lyotard’s The Differend (1983) names a conflict between parties that cannot be fairly resolved because no common rule of judgement exists.

4. “A work can become modern only if it is first postmodern.” This line is from

  1. “Answering the Question: What is the Postmodern?” by Jean-François Lyotard
  2. “The Death of the Author” by Roland Barthes
  3. “What is an Author?” by Michel Foucault
  4. “Postmodernism, or, the Cultural Logic of Late Capitalism” by Fredric Jameson
Lyotard’s essay “Answering the Question: What is the Postmodern?” (1982), appended to The Postmodern Condition, claims that postmodernism is modernism in its nascent state.

5. Who among the following critics defined the postmodern as ‘incredulity towards metanarratives’?

  1. Barthes
  2. Derrida
  3. Lefebvre
  4. Lyotard
Jean-François Lyotard, in The Postmodern Condition (1979), defined the postmodern as incredulity towards metanarratives such as Enlightenment progress or emancipation.

6. Which of the following theoretical schools is Jean-François Lyotard most widely associated with?

  1. Postmodernism
  2. Post-feminism
  3. Postcolonial studies
  4. Psychoanalytic theory
Lyotard’s The Postmodern Condition (1979) defined postmodernism as incredulity towards metanarratives.

7. The statement “The age of mega-narratives is over” is attributed to ____.

  1. Roland Barthes
  2. Jacques Derrida
  3. J.F. Lyotard
  4. Edward Said
Jean-François Lyotard’s The Postmodern Condition (1979) defines the postmodern as incredulity towards grand narratives or metanarratives.

Jean Baudrillard

8. Who was the major French theorist of postmodernism and author of the book Simulations?

  1. Jean-François Lyotard
  2. Stéphane Mallarmé
  3. André Gide
  4. Jean Baudrillard
Jean Baudrillard’s Simulations (1983, English version of Simulacres et simulation) argues that signs and models now precede and replace reality, producing hyperreality.

9. Jean Baudrillard is associated with what is usually known as ________.

  1. The knowledge of the real
  2. The gain of the real
  3. The loss of the real
  4. The forfeit of the real
Baudrillard argued that in a culture of simulacra and hyperreality the distinction between image and reality collapses, a condition usually called the loss of the real.

10. Who wrote the following statement on the mythologised misrepresentation of the United States in Disneyland: “All its [the USA’s] values are exalted here, in miniature and comic-strip form. Embalmed and pacified”?

  1. Baudrillard
  2. Butler
  3. Burke
  4. Browning
The words are Jean Baudrillard’s, from Simulacra and Simulation, where Disneyland is a simulacrum that makes the rest of America seem real.

11. Which of the statements below are true?

A. Jean Baudrillard tells us that postmodern societies are marked by simulacra.
B. By simulacra he means non-representations of reality.
C. Simulacra artificially produce a mediated world masquerading as authenticity.
D. It was not Jean Baudrillard but his interpreters who coined the term ‘simulacra’.
  1. B, C and D
  2. A and C
  3. C and D
  4. B and C
Baudrillard describes postmodern societies as dominated by simulacra, copies without originals that produce a hyperreal, mediated world passing itself off as authentic.

12. Who among the following proposed that the First Gulf War had never taken place, that it was simply a hyperreal, media-generated spectacle?

  1. Richard Rorty
  2. Jean-François Lyotard
  3. Umberto Eco
  4. Jean Baudrillard
Baudrillard’s The Gulf War Did Not Take Place (1991) argued that the war existed for audiences only as a hyperreal media simulation.

13. Which of the following statements are true?

1. Jean Baudrillard tells us that postmodern societies are marked by simulacra.
2. By simulacra he means non-representations of reality.
3. Simulacra artificially produce a mediated world masquerading as authenticity.
4. It was not Jean Baudrillard but his interpreters who coined the term “simulacra”.
  1. 1, 3 and 4 only
  2. 1 and 3 only
  3. 3 and 4 only
  4. 2 and 3 only
Baudrillard himself theorised simulacra in Simulacra and Simulation (1981) as copies without originals that produce a hyperreal, mediated world passing itself off as authentic.

14. Who first welcomed us to ‘the desert of the real’?

  1. Friedrich Nietzsche
  2. Jean Baudrillard
  3. Jacques Derrida
  4. Jean-François Lyotard
Jean Baudrillard’s Simulacra and Simulation (1981) speaks of “the desert of the real itself”, a phrase later borrowed by The Matrix and Žižek.

Postmodernism: General

15. In which decade did the term “postmodernism” become current?

  1. 1990s
  2. 1910s
  3. 1980s
  4. 1950s
Although used earlier, ‘postmodernism’ became current in the 1980s, after Lyotard’s The Postmodern Condition (1979) and debates involving Jameson and Habermas.

16. What is the name given to the movement that dominated the arts and culture of the first half of the twentieth century?

  1. Feminism
  2. Historicism
  3. Structuralism
  4. Modernism
Modernism, with figures such as Joyce, Eliot, Woolf, Picasso and Stravinsky, dominated early twentieth-century art through fragmentation and formal experiment.

17. Which of the following works of T.S. Eliot is a collage of juxtaposed, incomplete stories, or fragments of stories?

  1. The Waste Land
  2. Prufrock and Other Observations
  3. The Use of Poetry and the Use of Criticism
  4. Essays Ancient and Modern
The Waste Land (1922) juxtaposes fragments of myth, legend and modern life without connecting narrative, a key example of modernist collage.

18. Which modern architect proclaimed that “decoration is a crime”?

  1. Adolf Loos
  2. Kurt Schwitters
  3. Samuel Beckett
  4. Le Corbusier
The Austrian architect Adolf Loos argued in ‘Ornament and Crime’ (1908) that decoration is a crime, a founding statement of modernist functional design.

19. The modern period began with the ________.

  1. Mythology
  2. Innocence
  3. Reason
  4. Enlightenment
The modern period is usually traced to the eighteenth-century Enlightenment, whose faith in reason, progress and science postmodern thinkers later questioned.

20. Which of the following is not a feature of postmodernist writing?

  1. Pastiche
  2. Mixing of genres
  3. Linear narrative
  4. Multiple narratives
Postmodernist writing favours pastiche, genre-mixing, fragmentation and multiple narratives; a straightforward linear narrative is characteristic of realist fiction.

21. Identify the novels in which the novelists employ metafiction:

I. The Radiant Way by Margaret Drabble
II. Slaughterhouse-Five by Kurt Vonnegut
III. It’s a Battlefield by Graham Greene
IV. Lucky Jim by Kingsley Amis
  1. II and IV
  2. I and II
  3. II and III
  4. I and IV
Slaughterhouse-Five (1969) puts its author into the frame of the novel, and Drabble’s The Radiant Way (1987) has a self-conscious narrator; Greene’s and Amis’s novels are conventionally realist.

22. Which of the following are features of postmodernism?

I. It was born of scepticism and a suspicion of reason.
II. It embraced clarity.
III. It was anti-authoritarian by nature.
IV. It broke the established norms of style.
  1. II, III and IV
  2. I, II and III
  3. I, III and IV
  4. I, II and IV
Postmodernism is sceptical of reason and grand narratives, anti-authoritarian and stylistically transgressive; it favours play and indeterminacy over clarity.

23. Which of the following is/are correct about postmodernist critics?

  1. They foreground fiction and exemplify ‘disappearance of the real’.
  2. They foreground irony.
  3. They challenge the distinction between high and low cultures.
  4. All of the above
Postmodernist critics stress fictionality and the loss of the real (Baudrillard), favour irony and dissolve the boundary between high and popular culture.

24. Postmodernist thinkers developed concepts like ‘différance’ and ‘hyperreality’ to subvert ____.

  1. myths and parables
  2. grand narratives and univocity of being
  3. critically acceptable knowledge
  4. existing social phenomena
Concepts such as Derrida’s différance and Baudrillard’s hyperreality undermine stable presence and totalising grand narratives, which Lyotard defined postmodernism as incredulous towards.

25. Postmodernists typically argue all of the following EXCEPT that ____.

  1. universalist narratives which attempt to explain the world are invariably false
  2. the world is socially constructed in a variety of ways
  3. differences of viewpoint should be celebrated
  4. grand narratives are useful sources of information
Postmodernists, following Lyotard’s incredulity towards metanarratives, reject grand narratives as totalising, while stressing social construction and celebrating plural viewpoints.

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