Samuel Beckett, Bertolt Brecht, John Osborne
Previous Year UGC-NET English Literature Quiz
1. Match the plays to their setting:
Plays:
(a) Krapp’s last tape
(b) Happy days
(c) Waiting for Godot
(d) Endgame
Settings:
(1) a country road; a tree
(2) bare interior; two small windows high up; grey light
(3) expanse of scorched grass forming a low mound; blinding light
(4) a late evening in future, white light
- (A)(a)-(3), (b)-(4), (c)-(1), (d)-(2)
- (B)(a)-(2), (b)-(3), (c)-(1), (d)-(4)
- (C)(a)-(4), (b)-(3), (c)-(1), (d)-(2)
- (D)(a)-(2), (b)-(4), (c)-(3), (d)-(1)
2. Which of the following plays is characterized by the exclusivity of a single character talking to himself?
- (A)A Streetcar Named Desire
- (B)Equus
- (C)The Misanthrope
- (D)Krapp’s Last Tape
3. Who makes the following speech in Samuel Beckett’s Waiting for Godot?
“Astride of a grave and a difficult birth. Down in the hole, lingeringly, the grave-digger puts on the forceps.”
- (A)Estragon
- (B)Lucky
- (C)Vladimir
- (D)Pozzo
4. Samuel Beckett’s Waiting for Godot has
- (A)three Acts
- (B)five Acts
- (C)four Acts
- (D)two Acts
5. One of the following texts was published earlier than 1955. Identify the text:
- (A)William Golding, The Inheritors
- (B)Philip Larkin, The Less Deceived
- (C)William Empson, Collected Poems
- (D)Samuel Beckett, Waiting for Godot
6. Who are Didi and Gogo?
- (A)They are two characters in Endgame.
- (B)They are nicknames, respectively, for Lucky and Pozzo.
- (C)They are nicknames, respectively, for Vladimir and Estragon.
- (D)They are two characters in Breath.
7. Samuel Beckett’s trilogy published together in London in 1959 under the English titles is
- (A)More Pricks than Kicks, Murphy, Molloy
- (B)Molloy, Malone Dies, The Unnamable
- (C)Molloy, Murphy, Malone Dies
- (D)The Unnamable, More Pricks than Kicks, Murphy
8. In Beckett’s Waiting for Godot the characters often use dislocated, repetitious and cliched speech primarily to:
- (A)illustrate the essentially illogical, purposeless nature of the human condition
- (B)re-create the workings of the subconscious
- (C)mock the exaggerated dignity and wisdom of modern, self-professed intellectuals
- (D)reinforce the comic action of farcical plots
9. Bertolt Brecht’s concept of alienation was a rejection of the idea that realism was the only mode of art a critique of capitalist society should produce. Alienation is best described as
- (A)making the audience feel that they do not belong.
- (B)distancing artistic conventions to prevent an emotional catharsis.
- (C)scripting unnatural behaviour on stage.
- (D)a rejection of capitalism or the market.
10. In Bertolt Brecht’s Mother Courage and Her Children, which song does Yvette sing to Mother Courage and Kattrin?
- (A)“The Song of the Great Souls of the Earth”
- (B)“The Fraternization Song”
- (C)“The Song of the Great Capitulation”
- (D)“The Memorial Song”
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11. Bertolt Brecht’s Mother Courage and Her Children presents the war-torn Europe as its protagonist as she follows troops with her canteen wagon. What is the real name of Mother Courage?
- (A)Paula Danckert
- (B)Anna Fierling
- (C)Jane Vanstone
- (D)Jani Lauzon
12. Who of the following playwrights rejects the Aristotelian concept of tragic play as imitation of reality?
- (A)G.B. Shaw
- (B)Arthur Miller
- (C)Bertolt Brecht
- (D)John Galsworthy
13. John Osborne’s Look Back in Anger is an example of
- (A)Drawing room comedy
- (B)kitchen-sink drama
- (C)Absurd drama
- (D)Melodrama
14. “Why don’t we have a little game? Let’s pretend that we’re human beings, and that we are actually alive.” This passage forms part of
- (A)Agatha Christie’s The Mousetrap
- (B)John Osborne’s Look Back in Anger
- (C)Samuel Beckett’s Waiting for Godot
- (D)Harold Pinter’s The Birthday Party
15. Match the character with the work:
Characters:
(a) Jim Dixon
(b) Jimmy Porter
(c) Joe Lampton
(d) Charles Lumley
Works:
(i) Room at the Top
(ii) Hurry on Down
(iii) Look Back In Anger
(iv) Lucky Jim
Code: (a) (b) (c) (d)
- (A)(iv) (iii) (i) (ii)
- (B)(iv) (iii) (ii) (i)
- (C)(iii) (iv) (i) (ii)
- (D)(iii) (i) (ii) (iv)
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