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401. Who thinks that ‘his reputation as a critic rests on sure and lasting foundation’?
(a) T. S. Eliot
(b) F. R. Leavis
(c) Atkins
(d) Richards
Ans: b
402. According to Lisideius, the French use rhyme in place of
(a) Poetry
(b) Prose
(c) Black verse
(d) Dialogue
Ans: b
403. Drama is ‘a just and lively image of ______’.
(a) Life
(b) Human nature
(c) Nature scene
(d) Action of man
Ans: a
404. The French drama has been preferred by
(a) Neander
(b) Crities
(c) Lisideius
(d) Eugenius
Ans: c
405. Who first objected to Wordsworth’s theory of language?
(a) Coleridge
(b) Keats
(c) Atkins
(d) FW Bateson
Ans: c
406. Who thinks that the preface is against ‘positive theory of poetic diction current throughout the 18th century’?
(a) Coleridge
(b) Dereck Roper
(c) Atkins
(d) FW Bateson
Ans: b
407. Who claimed the preface to be ‘half a child of my own brain’?
(a) Gray
(b) Collins
(c) Coleridge
(d) None of these
Ans: c
408. About whom has Dryden remarked, ‘I admire him but I Love Shakespeare’?
(a) Ben Johnson
(b) Homer
(c) Chaucer
(d) Shakespeare
Ans: d
409. Who of the following was Dryden’s contemporary?
(a) Sir Philip Sydney
(b) Thomas Rhymer
(c) Pope
(d) Ben Johnson
Ans: d
410. About whom has Dryden remarked, ‘I admire him but I
Love Shakespeare’?
(a) Ben Johnson
(b) Homer
(c) Chaucer
(d) Shakespeare
Ans: d
411. Who of the following was Dryden’s contemporary?
(a) Sir Philip Sydney
(b) Thomas Rhymer
(c) Pope
(d) Ben Johnson
Ans: d
412. The central theme of the Essay of Dramatic Poesy is
(a) Justification of English Drama
(b) Rejection of the French Drama
(c) Reject Aristotle
(d) Praise Chaucer
Ans: a
413. Who declared that for Wordsworth ‘Imagination was
the most important gift that a poet can have’?
(a) CM Bowra
(b) Coleridge
(c) Arnold
(d) Atkins
Ans: b
414. Wordsworth calls poetry ‘the breath and finer spirit
of
(a) Humanity
(b) All knowledge
(c) Emotions
(d) Experiences
Ans: b
415. There neither is, nor can there be, any essential difference between the language of prose and
(a) Poetry
(b) Poetic composition
(c) Verse
(d) None of these
Ans: c
416. Who thinks that the preface is not a ‘tactful writing’?
(a) Dereck Roper
(b) Atkins
(c) Scott James
(d) Saintsbury
Ans: c
417. Who says that, ‘every great poet is a teacher’?
(a) Wordsworth
(b) Coleridge
(c) Keats
(d) Pope
Ans: a
418. Who has praised Eliot for his gift of phrasing?
(a) Sampson
(b) Atkins
(c) Clive bell
(d) Garrod
Ans: a
419. What is Eliot’s opinion about Aristotle?
(a) Artificial ideas
(b) Perfect critics
(c) Theorist
(d) None of these
Ans: b
420. What is Eliot’s opinion about Aristotle?
(a) Artificial ideas
(b) Perfect critics
(c) Theorist
(d) None of these
Ans: b
421. ‘ A poem should not mean but be’ is found in
(a) William Empson’s seven types of Ambiguity
(b) William K. Wimsatt’s the verbal leon
(c) Anglo-African criticism
(d) None of the above
Ans: b
422. New criticism is applied to
(a) Anglo- American criticism
(b) Indian- English criticism
(c) Anglo-African criticism
(d) None of these
Ans: a
423. ‘ A poem should not mean but be’ is found in
(a) William Empson’s seven types of Ambiguity
(b) William K. Wimsatt’s the verbal leon
(c) Anglo-African criticism
(d) None of the above
Ans: b
425. Match the following.
List 1 List 2
(a) William Wordsworth 1. The study of poetry
(b) B.S.T. Coleridge 2. The biographic literia
(c) Mathew Arnold 3. The lyrical ballads
(d) T.S. Eliot 4. Tradition and
individual talent
Codes
A B C D
(b) 3 2 1 4
(b) 1 2 3 4
(c) 2 1 3 4
(d) 3 4 2 1
Ans: b
426. Who among the following theorists formulated the concept of the utile dulci, profit combined with delight?
(a) Plato
(b) Aristotle
(c) Horace
(d) Longinus
Ans: c
427. ‘The best poetry will be found to have a power of forming, sustaining and delighting us’. This assertion implies
(a) Poetry is more useful than other arts
(b) All other arts including poetry have their
limitations
(c) Poetry has multiple functions to perform
(d) Poetry has no role to play
Ans: c
428. I. A. Richards’ famous experiment with poems and his Cambridge students is detailed in practical criticism:
a study of literary judgement (1929). Richards was
astonished by
(a) The very astute remarks made by his students
(b) The poor quality of his student’s stock responses
(c) The non-availability of poems, worthy of classroom attention
(d) The success of his experiment
Ans: b
429. ‘Poetic License’ means
(a) Liberty with diction, alone
(b) Liberty with diction and norms of common
discourse
(c) Liberty with historical truth
(d) Liberty with representation of fictional characters
Ans: b
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430. ‘Linguistic freedom’ is
(a) Freedom with diction, newly-coined words, syntax
(b) Freedom with the use of colloquial language
(c) Freedom with the use of figurative construction
(d) Freedom with literal truth
Ans: a
431. D. H. Lawrence was a pioneer of
(a) Stream of consciousness novel
(b) Psychoanalytical fiction
(c) Psychological fiction
(d) Imagism fiction
Ans: c
432. D. H. Lawrence was greatly influenced by
(a) Freud
(b) Marx
(c) Darwin
(d) Aristotle
Ans: a
433. What is meant by rhetoric?
(a) Art of using language effectively or impressively
(b) Using language for exaggeration
(c) Using language musically
(d) Using language metaphorically
Ans: a
434. Who said, ‘The preface to Lyrical Ballads’ explains the poetic process of the type of poetry only Wordsworth wrote?
(a) I. A. Richard
(b) F. R. Leavis
(c) Coleridge
(d) Baker
Ans: b
435. Who pleaded for ‘High-seriousness’ in literature?
(a) Matthew Arnold
(b) William Wordsworth
(c) John Dryden
(d) T. S. Eliot
Ans: a
436. Who is stated to have said, ‘Criticism is the art of interpreting art?
(a) Dryden
(b) Arnold
(c) Walter Pater
(d) Eliot
Ans: c
437. Who is believed to have said, ‘what criticism undertakes is the profitable discussion of literature’?
(a) Eliot
(b) F. R. Leavis
(c) Middleton Murry
(d) Chatterton
Ans: c
438. Who among the following is the pioneer of new criticism?
(a) T. S. Eliot
(b) I. A. Richards
(c) F. R. Leavis
(d) Allan Tate
Ans: b
439. The principles of literary criticism is written by
(a) T. S. Eliot
(b) I. A. Richards
(c) F. R. Leavis
(d) R. P. Blackmur
Ans: b
440. Which of the following books introduced the term new criticism?
(a) I. A. Richard’s the Principles of Literary Criticism
(b) F. R. Leavis’s The Great tradition
(c) T. S. Eliot The Sacred Wood
(d) John Crowe Ransom’s book The New Criticism
Ans: c
441. In which essay has Eliot rejected the poems of Milton and Dryden as artificial?
(a) On Milton
(b) The metaphysical poets
(c) The study of poetry
(d) Traditional and individual talent
Ans: a
442. What is Eliot’s most significant contribution to critical analysis and judgment?
(a) Objective correlative
(b) Association of sensibilities
(c) Dissociation of sensibilities
(d) None of the above
Ans: a
443. In which poet does Eliot find the unification of sensibilities to a greater extent?
(a) Metaphysical poets
(b) Romantic poets
(c) Classical poets
(d) Modern poets
Ans: a
444. The Defence of Poetry is written by………….
a. Coleridge
b. Shelley
c. Wordsworth
d. Keats
Ans: b
445. Keats introduced the concept ………… to English literature
a. negative capability
b. objective correlative
c. Sprung rhythm
d. dissociation of sensibility
Ans: a
446. The Prelude begins and ends with Wordsworth’s childhood at………….
a. Cambridge
b. Cumberland
c. Salisbury
d. North Wales
Ans: b
447. Coleridge introduced the idea of……….
a. Negative Capability
b. Willing Suspension of Disbelief
c. Objective Correlative
d. Egotistical Sublime
Ans: b
448. Biography Literaria published in 1817 was originally conceived in 1814 as a preface to…………
a. Lyrical Ballads
b. Table Talk
c. Philosophical View of Reform
d. Sibylline Leaves
Ans : a
449. Essay of dramatic Poesy is a dialogue between four speakers in which Dryden is represented by……..
a. Eugenius
b. Crites
c. Neander
d. Lisideius
Ans: c
450. Preface to Lyrical Ballads can be regarded as………
a. The Manifesto of the Romantic Movement in British Literature
b. The first study of Romantic poetry in English
c. A critical analysis of pre-Romantic poetry in English
d. All of the above
Ans: a
451. In his explanation of the sublime Longinus places emphasis on the great spirit of the
a. Text
b. Art
c. Writer
d. Nature
Ans: d
452. Keats’ Negative Capability was used to describe the artistic genius of………..
a. Milton
b. Shakespeare
c. Wordsworth
d. Spenser
Ans: a
453. Eliot in “Tradition and the individual talent” feels that
I. Tradition is inherited
II. Tradition cannot be inherited
III. Tradition has to be obtained through great labour
IV. Tradition involves the historical sense
a. I, II, IV only
b. I, II, III only
c. II, III, IV only
d. I, III, IV only
Ans: b
454. I. A Richards explained his theory of criticism by evaluating poetry using the…………method
a. Multiple choice Questionairre
b. Class testing
c. Group discussion
d. Close reading
Ans: d
455. Different Rasas are created by………..
a. Natyas
b. Bhava
c. Shruti
d. Pallavi
Ans: a
456. The theory of sphota was adopted by……… to read poetics
a. Anandhavardana
b. Dandin
c. Panini
d. Vamana
Ans: a
457. Lyrical Ballads was published in……..
a. 1798
b. 1793
c. 1789
d. 1785
Ans: a
458. …………. was the first to use the expression ‘ negative capability’.
a. Keats
b. Wordsworth
c. Coleridge
d. Shelley
Ans: a
459. Which of the following statement is/are correct?
1. Eliot believed that tradition acted strongly even in poets who are considered avant-garde.
2. Eliot asserted that tradition cannot be taking as a lump.
3.Eliot believed that escape from emotion, not overflow of emotion was a poet’s creed.
4. For Eliot objective correlative referred to the way emotion is represented.
a. statements 2,3 and 4 are correct.
b. statements 1 and 2 are correct.
c. only statement 1 is correct.
d. All statements are correct
Ans: d
460. Dhvanyaloka is a critical treatise by……….
a. Anandhavardhana
b. Kunthaka
c. Bhamaha
d. Patanjali
Ans: a
461. The theory of Sphota was formulated by………
a. Patanjali
b. Bhartrhari
c. Panini
d. Bhamaha
Ans: b
462. William Wordsworth wrote the ‘Preface to the Lyrical Ballads’ because he wished to:
I. justify living amidst nature
II. create a revolution
III. put forth new guidelines for the writing of poetry.
IV. Justify philosophical and emotional involvement with daily life.
a. I and II only
b. III and IV only
c. II and III only
d. I and IV only
Ans: d
463. “The greeks called him ‘a poet’, which name hath, as the most excellent, gone through other languages. It cometh of this word Poiein, which is ” to make”: wherein, I know not whether by luck or wisdom, we Englishmen have met with the Greeks in calling him ‘a maker’: which name, how high and incomparable a title it is, I had rather were known by marking the scope of other sciences than by my partial allegation”. This is a statement in
a. Dr Johnson’s Preface to Shakespeare
b. Phillips Sidney’s Apology for poetry
c. Longinus On the Sublime
d. Aristotle’s Poetics
Ans: b
464. Why does Matthew Arnold in The Function of Criticism state that , “the English poetry of the first quarter of the century, with plenty of energy, plenty of creative force, did not know enough”?
a. because the poets did not read enough
b. because there was no National glow of life and thought
c. because there was a lack of culture
d. because there was no force of learning and criticism
a. I, II and III only
b. III, IV and II only
c. III and II only
d. All the above
Ans: b
465. Choose the correct words to fill in the blanks.
…………and ………..life was generally chosen, because, in that condition, the essential………….of the heart find a better soil in which they can attain their maturity, are less under restraint, and speaker a plainer and more emphatic language;
a. Ordinary, uneventful, feelings
b. Simple, frugal, emotions
c. Humble, rustic, passions
d. Modest, everyday, sentiments
Ans: c
466. The term used in criticism to “identify a deliberate poetic device: the use of a single word or expression to signify two or more distinct references, or to express two or more diverse attitudes or feelings is called………….
a. Portmanteau
b. Ambiguity
c. Paradox
d. Pun
Ans: b
467. These critics oppose the violation of overly politics sized and often abstruse theory into the field of literary imagination and the use of identity politics. They feel that the importance of literary imagination and creativity is marginalised by such theorizing. Which school of critics are we talking about?
a. Cultural Theory Critics
b. Identity theorist
c. Liberal Humanist Critics
d. New Critics
Ans: c
468. Match the Sanskrit term of rasa with the closest English equivalent:
I. Hasya a. repulsive/ disgust
II. Bibhatsa b. marvelous/ amazing
III. Adbhuta c. compassion/ sympathy
IV. Karuna d. humorous/ comic
a. 1d, 2a, 3b, 4 c
b. I c, 2a, 3b, 4d
c. 1b, 2d, 3c, 4a
d. 1c, 2a, 3d, 4b
Ans: d
469. Match the Theorist and the Theory:
I. Aucitya a. Anandavardhan
II. Vakrokti b. Bharatrhari
III. DhvaniSiddhantha c. Kshemendra
IV. Sphoto d. kuntaka
a. I d, II a, III b, IV c
b. I c, II a, III b, IV d
c. I c, II d, III a, IV b
d. I c, II a, III d, IV b
Ans: d
470. The purgation of Pity and terror through art is known as
a. Hamartia
b. Catharsis
c. Mimesis
d. Anagnorisis
Ans: b
471. The distinction between ‘fancy’ and ‘imagination’ is discussed in :
a. Preface to the Lyrical Ballads
b. Biographia Literaria
c. De Profundis
d. Preface to the Fables
Ans: b
472. The theory of the impersonality of the poet was put forward by:
a. Samuel T. Coleridge
b. Samuel Johnson
c. T, S Eliot
d. W.S. Merwin
Ans: c
473. The vakroti siddhantha was postulated by:
a. Bharat
b. Kuntaka
c. Anandavardana
d. Abhinavgupta
Ans: b
474. Wordsworth has said that poetry is the ‘ spontaneous overflow of powerful…….
a. emotions
b. things
c. reflections
d. recollections
Ans: a
475. Hamartia literally means;
a. Purgation
b. Revenge
c. Error of Judgement
d. Pity
Ans: c
476. Which English poet defined poetry as criticism of life?
a. Shelley
b. Arnold
c. Tennyson
d. Lawrence
Ans: b
476. The phrase “stream of consciousness” was used by……………in his principles of psychology (1890)
a. Sigmund Freud
b. William James
c. C. G Jung
d. D. H. Lawrence
Ans: d
477. In aristotle’s poetics we read that it is the imitation of an action that is complete and whole, and of a certain magnitude…. having a beginning, middle and an end. What is it?
a. Poetry
b. Force
c. Epic
d. Tragedy
Ans: b
478. The purgation of pity and terror through art is k…
The purgation of pity and terror through art is known as :
a. Hamartia
b. Catharsis
c. Mimesis
d. Anagnorisis
Ans: b
479. The vakroti siddhantha was postulated by:
a. Bharata
b. Kuntaka
c. Anandavardana
d. Abhinavagupta
Ans: a
480. The distinction between fancy and imagination is discussed in
a. preface to the lyrical ballads
b. biography literaria
c. De profundis
d. Preface to the Fables
Ans: c
481. The theory of impersonality of the poet was put forward by:
a. Samuel T. Coleridge
b. Samuel Johnson
c. T. S Eliot
d. W. S Merwin
Ans: b
482. The concept of aucitya was discussed by:
a. Vamana
b. Mammata
c. Kshemendra
d. Dhandi
Ans: a
483. Art for Art’s sake is the cardinal doctrine of :
a. Aestheticism
b. Comp-art-mentalism
c. Expressionism
d. Purism
Ans: a
484. The objective correlative is a concept explored by TS Eliot in th me essay:
a. Tradition and the Individual Talent
b. The Function of Criticism
c. The Problem of Hamlet
d. Hamlet and His Problems
Ans: d
485. In Bhartrhari’s view, the word or the sentence taken as a single meaningful unit is :
a. vak
b. vachan
c. slesha
d. sphota
Ans: d
486. The deviations that make an utterance poetic are studied in…..
a. alamkara
b. anumana
c. riti
d. vakroti
Ans: c
487. The poet who declared that criticism is ‘a disinterested endeavour…… to learn and propagate the best….. and….. to establish a current of fresh and true ideas’:
a. Dryden
b. Coleridge
c. Arnold
d. Auden
Ans: c
488. Who is the originator of the Theory of Imitation in literature?
A-Plato
B-Longinus
C-Aristotle
D-None
Ans: d
489. Who was the most illustrious disciple of Socrates?
A-Plautus
B-Sophocles
C-Citrus
D- Plato
Ans: b
490. From where has the term Oedipus Complex Originated?
A-Antigone
B- Oedipus the Rex
C-Oedipus at Cons
D-None
Ans: a
491. Who considers poetry ‘a mother of lies’
(A) Aristotle
(B) Plato
(C) Pope
(D) Stephen Gosson
Ans: b
492. Aristotle’s critical work is entitled:
(A) Ars Poetica
(B) Poetics
(C) De Arte Poetica
(D) Art Poetica
Ans: b
493. Who is the meaning of the term Peripeteia as used by Aristotle in his Theory of Tragedy?
(A) Change in the fortune of the hero from bad to good
(B) Change in the fortune of the hero from good to bad
(C) Constancy in the fortune of the hero
(D) Fluctuations occurring in the fortune of the hero
Ans: a
494. What is denouement?
(A) The ending of a tragedy
(B) The ending of a comedy
(C) The climax in a tragedy
(D) The climax in a comedy
Ans: c
496. Who made a difference between ‘poetry’ and ‘poem’
(A) Coleridge
(B) Addison
(C) Arnold
(D) Eliot
Ans: a
497. Who was the most illustrious pupil of Plato?
(A) Aristotle
(B) Longinus
(C) Aristophanes
(D) Socrates
Ans: a
498. Who is the author of the notorious book entitled The School of Abuse?
(A) Roger Ascham
(B) Stephen Hawes
(C) John Skelton
(D) Stephen Gosson
Ans: d
499. An Elizabethan Puritan critic denounced the poets as ‘fathers of lies’, ‘schools of
abuse’, and ‘caterpillars of a commonwealth’. Mark him out from the following critics:
(A) William Tyndale
(B) Roger Ascham
(C) Stephen Gosson
(D) Henry Howard
Ans: c
500. Philip Sidney’s Apologie for Poetrie is a defence of poetry against the charges brought
against it by:
(A) Henry Howard
(B) Roger Ascham
(C) John Skelton
(D) Stephen Gosson
Ans: d
501-Longinus declares that sublime please all and
A-Pleases always
B-Please forever
C-Pleases everywhere
D-None
Ans: a
502- What does Longinus mean by ‘Puerility’?
A-Pedantic conceit
B-Rhythm
C-Dramatic
D-Hyperbole
Ans: a
503- What does Longinus mean by ‘Puerility’?
A-Pedantic conceit
B-Rhythm
C-Dramatic
D-Hyperbole
Ans: a
504-What is the other title of An Apologie for poetry given to it by another publisher?
A- The Defence of Poesie
B-Poetics
C-Essay on Criticism
D-None
Ans : a
505-Who had objected to the greatness of poetry in the days of Sidney?
A-Malville
B- Gosson
C-Plato
D-Sterner
Ans: b
506-Which classical critic, does Eliot resemble most of all?
A-Aristotle
B-Plato
C-Horace
D-None
Ans : a
507-Who thinks that the preface is not tactful writing?
A-Passion
B-Feeling
C-Dereck Roper
D-None
Ans: c
508- Who remarks that there abide these three. Aristotle Longinus and Coleridge?
A-Saintsbury
B-Classical
C-Figurative
D- None
Ans:a
509-Which edition of Lyrical Ballads is considered to be a standard critical document?
A-1844
B-1814
C- 1815
D-1966
Ans: c
510-In the opinion of Dryden, which works is the greatest noblest and most sublime
A- Aneid
B-Canterbury Tales
C-Macbeth
D- Paradise Lost
Ans: d
511-If he had seen ours, might have changed his mind who is he in this remark?
A-Aristotle
B-Chaucer
C-Horace
D-None
Ans: a
512-The central theme of the Essay of Dramatic Poesy is
A-Justification of English Drama
B-Rejection of French drama
C-Accept Ancient Drama
D-None
Ans:a
513-Drama is a just and lively image of
A- Action of Man
B- Human Nature
C-Life
D-None
Ans: b
514-Which English poet has been most objected to by Lisideius?
A- Farce
B-Comic
C-Tragic
D- Tragic-comedy
Ans: d
515- The greatest weakness of English drama is its violation of
A-Real Character
B-Three Unities
C-Historical Truth
D-None
Ans:a