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1000+ Literary Theory MCQs – Part 5: Mikhail Bakhtin & Dialogism

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Bakhtin

Literary Theory · Part 5 of 25 · 1920s–1930s

Mikhail Bakhtin & Dialogism

DialogismPolyphonyHeteroglossiaCarnivalesque

What is Bakhtin? Mikhail Bakhtin, the Russian thinker behind Problems of Dostoevsky’s Poetics and Rabelais and His World, argued that language is always dialogic: every word answers other words. His key terms are polyphony, heteroglossia, the carnivalesque and the chronotope.

This part covers Bakhtin’s dialogism, polyphony, heteroglossia, the carnivalesque and the chronotope. The questions are drawn from previous UGC NET, SET, PhD entrance and Assistant Professor papers, and every answer comes with a short explanation. Tap an option to check your answer.

Mikhail Bakhtin

1. Choose the incorrect option with regard to Bakhtin’s polyphony.

  1. Bakhtin states that the use of polyphony is restricted to Dostoevsky’s novels.
  2. Bakhtin borrowed this term from the world of music.
  3. Bakhtin used it to signify what he considered a literary feature that characterised Dostoevsky’s novels.
  4. Polyphony represents a plurality of consciousnesses.
Bakhtin found polyphony most fully realised in Dostoevsky’s novels but treated it as a wider novelistic potential, not something confined to Dostoevsky.

2. Choose the correct statement with regard to Bakhtin’s definition of monologism.

  1. It does not feature in a novel that contains a plurality of characters.
  2. It is the underlying unity of voice in a novel and, by extension, in any other literary form.
  3. It is represented by the singularity of structure for every specific literary genre.
  4. Monologism and polyphony can coexist in a novel.
For Bakhtin, monologism subordinates all voices to a single authorial consciousness, producing an underlying unity of voice even when many characters appear.

3. Which of the following options is not associated with Mikhail Bakhtin?

  1. carnivalesque
  2. chronotope
  3. defamiliarisation
  4. dialogism
Defamiliarisation (ostranenie) belongs to Viktor Shklovsky and Russian Formalism, while the carnivalesque, chronotope and dialogism are Bakhtin’s concepts.

4. Who is Mikhail Bakhtin?

  1. An American writer
  2. A Russian theorist
  3. A French theorist
  4. A Roman philosopher
Mikhail Bakhtin (1895-1975) was a Russian literary theorist and philosopher of language, known for dialogism, heteroglossia, polyphony and the carnivalesque.

5. What should a novel be according to Mikhail Bakhtin?

  1. Short
  2. Singular
  3. Poetic
  4. Polyphonic
In Problems of Dostoevsky’s Poetics Bakhtin praised the polyphonic novel, in which independent voices and consciousnesses coexist without being merged into the author’s single voice.

6. “Heteroglossia” refers to

  1. the juxtaposition of multiple voices in a text.
  2. the multiple readings of a text.
  3. the comments on the margins of a text.
  4. the gloss or commentary relating to a text.
Bakhtin’s heteroglossia, from “Discourse in the Novel”, names the coexistence of many social languages and voices within the novel.

7. In which of the following works did Bakhtin propose his widely cited concept of the ‘carnivalesque’?

  1. “Discourse in the Novel”
  2. The Dialogic Imagination
  3. Rabelais and His World
  4. “Forms of Time and of the Chronotope in the Novel”
Bakhtin developed the carnivalesque in Rabelais and His World (written 1940, published 1965), on the subversive, festive laughter of folk culture.

8. Who among the following presented the concept of the ‘multi-accentuality’ of the sign, saying that signs possess an inner dialectical quality and an ‘evaluative accent’?

  1. Roland Barthes
  2. Stuart Hall
  3. Jacques Derrida
  4. Valentin Voloshinov
In Marxism and the Philosophy of Language (1929) Voloshinov of the Bakhtin circle argued that signs are multi-accentual, an arena of class struggle.

9. Identify the theoretical formulation that does not belong to the group.

  1. Carnivalesque
  2. Panopticon
  3. Polyphony
  4. Heteroglossia
Carnivalesque, polyphony and heteroglossia are Mikhail Bakhtin’s concepts; the Panopticon is Bentham’s prison design used by Michel Foucault in Discipline and Punish.

10. Which of the following terms was not coined by Mikhail Bakhtin?

  1. Interpellation
  2. Carnivalesque
  3. Dialogism
  4. Heteroglossia
Heteroglossia, carnivalesque and dialogism are Bakhtin’s terms; interpellation is Louis Althusser’s term for how ideology hails individuals as subjects.

11. The concept of ‘Dialogic Imagination’ is associated with:

  1. Roman Jakobson
  2. Viktor Shklovsky
  3. Mikhail Bakhtin
  4. Walter Benjamin
The Dialogic Imagination (English translation 1981) collects Mikhail Bakhtin’s essays on the novel, including “Discourse in the Novel”, developing dialogism and heteroglossia.

12. Which of the following is not associated with Mikhail Bakhtin?

  1. Heteroglossia
  2. Carnival
  3. Chronotope
  4. Paratexts
Heteroglossia, carnival and chronotope are Bakhtin’s concepts; paratext is Gérard Genette’s term (Seuils, 1987) for titles, prefaces and other thresholds of a text.

13. According to Bakhtin, the idea of the carnivalesque represents all of the following characteristics except:

  1. a liberation from the prevailing truth and established order
  2. a harking back to the past
  3. emphasis on play, parody, pleasure and the body
  4. the suspension of all hierarchical rank, privileges, norms and prohibitions
In Rabelais and His World Bakhtin describes carnival as a temporary liberation from established order, suspending hierarchy and celebrating parody and the body; nostalgia for the past is not part of it.

14. “Heteroglossia” refers to:

  1. The comments in the margins of a text
  2. Juxtaposition of multiple voices in a text
  3. Multiple variations of languages and ideas in a text
  4. The commentary relating to a text
Bakhtin’s heteroglossia, from “Discourse in the Novel”, names the coexistence of many social languages, registers and world-views within one language and especially within the novel.

15. Which two of the following essays form part of Mikhail Bakhtin’s The Dialogic Imagination: Four Essays?

(A) “From the History of Novelistic Discourse”
(B) “Discourse in the Novel”
(C) “Romance and Novel”
(D) “Forms of Time and of the Chronotope in the Novel”
Choose the correct answer from the options given below:
  1. Only (A) and (B)
  2. Only (A) and (D)
  3. Only (B) and (C)
  4. Only (B) and (D)
The Dialogic Imagination contains ‘Epic and Novel’, ‘From the Prehistory of Novelistic Discourse’, ‘Forms of Time and of the Chronotope in the Novel’ and ‘Discourse in the Novel’.

16. “This literary mode parallels the flouting of authority and inversion of social hierarchies that, in many cultures, are permitted in a season of ____. It does so by introducing a mingling of voices from diverse social levels that are free to mock and subvert authority, to flout social norms by ribaldry, and to exhibit various ways of profaning what is ordinarily regarded as sacrosanct.” The above description explains the concept of ________.

  1. Carnivalesque
  2. Intertextuality
  3. Magic Realism
  4. Heteroglossia
Bakhtin’s carnivalesque, developed in Rabelais and His World, describes literature that mirrors carnival’s licensed inversion and mockery of official hierarchies.

17. The following is a passage about O.V. Vijayan’s The Legends of Khasak: “The novel is set in a remote village, in the middle of the 20th century. The narrative is replete with images of the vast ecosystem of the living and the non-living, a land potent with dreams and legends.” The analysis presented in this description is congruent with which one of the following concepts proposed by Mikhail Bakhtin?

  1. Polyphony
  2. Dialogism
  3. Carnivalesque
  4. Chronotope
Bakhtin’s chronotope (“time-space”) names the fused representation of time and place in a narrative, which is what the description of Khasak foregrounds.

18. The Formal Method in Literary Scholarship has disputed authorship between:

  1. Pavel Medvedev and Valentin Voloshinov
  2. Valentin Voloshinov and Pavel Medvedev
  3. Mikhail Bakhtin and Pavel Medvedev
  4. Fyodor Dostoevsky and Mikhail Bakhtin
The Formal Method in Literary Scholarship (1928) appeared under Pavel Medvedev’s name, but its authorship has been attributed wholly or partly to Bakhtin.

19. Mikhail Bakhtin illustrated his theory of the carnivalesque primarily with reference to which of the following authors?

  1. Dostoevsky
  2. Rabelais
  3. Homer
  4. Plato
Bakhtin developed the carnivalesque in Rabelais and His World, reading Gargantua and Pantagruel through medieval folk carnival culture.

20. Dialogism: Bakhtin and His World is authored by:

  1. Michael Holquist
  2. Chris McCabe
  3. Richard C. Hay
  4. Sovetsky Pisatel
Michael Holquist, translator and editor of Bakhtin, wrote Dialogism: Bakhtin and His World (1990).

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