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1000+ Literary Theory MCQs – Part 17: Postcolonial Theory: Said, Spivak, Bhabha & Fanon

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Postcolonial Theory

Literary Theory · Part 17 of 25 · 1950s–1990s

Postcolonial Theory: Said, Spivak, Bhabha & Fanon

OrientalismSubalternHybridity & MimicryThird Space

What is Postcolonial Theory? Postcolonial theory studies the cultural legacy of colonialism. Its founding texts are Frantz Fanon’s Black Skin, White Masks and The Wretched of the Earth, Edward Said’s Orientalism (1978), Gayatri Spivak’s “Can the Subaltern Speak?” and Homi Bhabha’s The Location of Culture, with its ideas of hybridity, mimicry and the third space.

This part covers Edward Said, Gayatri Chakravorty Spivak, Homi K. Bhabha, Frantz Fanon, Ngũgĩ and Achebe, general postcolonial theory and a passage-based set. The questions are drawn from previous UGC NET, SET, PhD entrance and Assistant Professor papers, and every answer comes with a short explanation. Tap an option to check your answer.

Edward Said

1. A book claimed to inaugurate postcolonial criticism properly was Edward Said’s ________, a specific exposé of the Eurocentric universalism which took for granted both the superiority of what was European or Western and the inferiority of what was not.

  1. Pre-Raphaelitism
  2. Phallocentrism
  3. Orientalism
  4. Existentialism
Edward Said’s Orientalism (1978) showed how Western discourse constructed the East as inferior Other, laying the foundation of postcolonial criticism.

2. Who wrote the following statement: “We cannot easily say that since Mansfield Park is a novel, its affiliations with a particularly sordid history are irrelevant or transcended, not only because it is irresponsible to say that, but because we know too much to say so without bad faith”?

  1. Marx
  2. Said
  3. Gates
  4. Freud
Edward Said wrote this in Culture and Imperialism (1993), reading Austen’s Mansfield Park against the Antiguan slave plantations that fund Sir Thomas Bertram’s estate.

3. Which of the following statements is the most accurate regarding Edward Said’s thesis in Orientalism?

(i) The Europeans used the East dialectically to describe their self-image as irrational and primitive.
(ii) The Oriental people used the West dialectically to define their self-image as irrational and primitive.
(iii) The Europeans used the East oppositionally to define their self-image as rational and modern.
(iv) The Oriental people used the West oppositionally to define their self-image as rational and modern.
  1. (iii)
  2. (iv)
  3. (i) and (iv)
  4. (ii) and (iii)
Said argues that Europe constructed the Orient as its irrational, backward Other, defining itself in opposition as rational and modern.

4. Which of the following is not true of Edward Said’s Orientalism?

  1. Makes use of Foucault’s concept of discursive formation
  2. Is one of the founding texts of postcolonial theory
  3. Makes use of Barthes’s concept of the writerly text
  4. Utilises the Gramscian notion of hegemony
Orientalism (1978) draws on Foucault’s discourse and Gramsci’s hegemony and founded postcolonial studies; Barthes’s writerly text plays no part in it.

5. Who is the author of Humanism and Democratic Criticism?

  1. Jürgen Habermas
  2. Edward Said
  3. Immanuel Kant
  4. Irving Babbitt
Edward Said’s Humanism and Democratic Criticism (2004) defends a critical, secular humanism.

6. Which of the following American novels was used by Edward Said to illustrate American imperialism?

  1. The Last of the Mohicans
  2. The Old Man and the Sea
  3. Moby-Dick
  4. Beloved
In Culture and Imperialism (1993) Said reads Melville’s Moby-Dick, with Ahab’s world-encompassing quest, as an allegory of American imperial ambition.

7. Edward W. Said’s Culture and Imperialism deals with one of the following central themes:

  1. The image of the Oriental in literature
  2. The theory of colonialism
  3. The novel as a vehicle of imperialism
  4. The colonizer’s civilizing mission
Culture and Imperialism (1993) argues that the novel and imperialism were mutually enabling, reading Austen, Conrad, Kipling and others contrapuntally to reveal imperial structures.

8. In the context of postcolonial studies, the concepts ‘filiation’ and ‘affiliation’ found theoretical articulation in:

  1. Arjun Appadurai
  2. Frantz Fanon
  3. Benita Parry
  4. Edward Said
Edward Said, in The World, the Text, and the Critic (1983), contrasted filiation (natural, inherited ties) with affiliation (cultural and institutional bonds that replace them).

9. Edward Said’s reading of Jane Austen’s Mansfield Park that demonstrates the deep implications of imperialism is an example of:

  1. Decolonial reading
  2. Contrapuntal reading
  3. Nativistic reading
  4. Allegorical reading
In Culture and Imperialism Said reads Mansfield Park contrapuntally, bringing out the Antigua plantation that silently sustains the Bertram estate.

10. Eurocentric prejudices against Asian and Arab-Islamic people and culture are examined by ____ in ____.

  1. Frantz Fanon, Black Skin, White Masks
  2. Ivan Illich, Deschooling Society
  3. Anuradha Roy, The Folded Earth
  4. Edward Said, Orientalism
Edward Said’s Orientalism (1978) analyses Western discourse that constructed the Arab-Islamic and Asian East as an exotic, inferior Other to justify domination.

11. According to Edward Said, Orientalism is

  1. a field of knowledge
  2. an instrument of colonial domination
  3. only an archive of writings
  4. a true description of the Orient
Said describes Orientalism as a Western style for dominating, restructuring and having authority over the Orient, so it serves colonial power.

Gayatri Chakravorty Spivak

12. Who among the following developed the term strategic essentialism?

  1. Edward Said
  2. Homi Bhabha
  3. Gayatri Chakravorty Spivak
  4. Aijaz Ahmad
Spivak coined strategic essentialism for the provisional use of a shared group identity by marginalised groups to pursue political goals.

13. In Gayatri Chakravorty Spivak’s essay “Can the Subaltern Speak?”, which of the following figures represents the subaltern trying to break free from her subalternity?

  1. Sati
  2. Mahasweta Devi
  3. Chuni Kotal
  4. Bhubaneswari Bhaduri
Spivak reads the 1926 suicide of Bhubaneswari Bhaduri, timed to her menstruation, as an attempt to “speak” that her own family misread.

14. ‘Can the Subaltern Speak?’ by Gayatri Spivak discusses sati from the perspective of ____.

  1. representation
  2. liberal politics
  3. the ethics of intervention
  4. All the above
Spivak reads sati through the problem of representation, the liberal-imperial claim of “white men saving brown women from brown men”, and the ethics of intervening on the subaltern’s behalf.

Homi K. Bhabha

15. The author (editor) of Nation and Narration is

  1. Homi Bhabha
  2. Gayatri Chakravorty Spivak
  3. Frantz Fanon
  4. Edward Said
Nation and Narration (1990) was edited by Homi K. Bhabha, whose essay ‘DissemiNation’ treats the nation as an ambivalent narrative construct.

16. In which of his essays does Homi Bhabha discuss the ‘discovery’ of English in colonial India?

  1. Nation and Narration
  2. “Of Mimicry and Man”
  3. “Signs Taken for Wonders”
  4. “The Commitment to Theory”
‘Signs Taken for Wonders’ (1985) opens with Anund Messeh’s 1817 encounter with Indians reading the Bible near Delhi, the ‘discovery’ of the English book.

17. Homi Bhabha’s intervention in the field of postcolonial theory is marked by his conceptualisation of ________. Fill in the blank with the most appropriate option from the list given below.

  1. a non-essentialist theory of culture which undermines the colonial grand narrative
  2. a colonial discourse of the settlers as a model to understand postcolonial texts
  3. an essentialist theory of culture that builds upon postcolonial narratives
  4. none of the above
Bhabha’s concepts of hybridity, mimicry and the Third Space offer a non-essentialist view of culture that unsettles the authority of colonial discourse.

18. Bhabha discussed his concept of ‘mimicry’ in the text The Location of Culture, which was published in the year ________.

  1. 1990
  2. 1994
  3. 1992
  4. 1996
Bhabha’s The Location of Culture (1994) collects essays including ‘Of Mimicry and Man’, which defines colonial mimicry as ‘almost the same, but not quite’.

19. In which of his essays does Homi Bhabha discuss the ‘discovery’ of English in colonial India?

  1. “Signs Taken for Wonders”
  2. “Of Mimicry and Man”
  3. “Nation and Narration”
  4. “The Commitment to Theory”
Bhabha’s “Signs Taken for Wonders” (1985), collected in The Location of Culture, opens with the “discovery of the English book” (the Bible) near Delhi in 1817 as an emblem of colonial authority and hybridity.

20. The concepts of hybridity, mimicry and ambivalence are associated with the theoretical constructs of:

  1. Edward Said
  2. Harish Trivedi
  3. Gayatri Spivak
  4. Homi Bhabha
Homi K. Bhabha’s The Location of Culture (1994) develops hybridity, colonial mimicry and ambivalence to show colonial authority as unstable and split.

21. Identify the key concepts of Homi Bhabha:

I. Culture
II. Hybridity
III. Mimicry
IV. Ambivalence
  1. II, III and IV only
  2. I, II and III only
  3. I, III and IV only
  4. All of the above
In The Location of Culture (1994) Bhabha theorises culture as enunciation and cultural difference, together with hybridity, colonial mimicry and ambivalence.

22. Choose the incorrect option with regard to Bhabha’s concept of mimicry:

  1. It can be considered as a postcolonial way of an assertion of identity by the colonized subjects
  2. The concept was originally published in The Location of Postcolonial Culture
  3. The term mimicry has at its root the word mime
  4. It punctures the hegemony of the colonial discourse
Bhabha’s “Of Mimicry and Man” first appeared in October (1984) and was collected in The Location of Culture (1994); no book called The Location of Postcolonial Culture exists.

23. Combine the statements correctly: According to Homi Bhabha ____.

1. Mimicry is not mere copying or emulating the colonizer’s culture, behaviour and manners.
2. But it is further aimed at perfection and excess.
3. Mimicry is mere copying of the colonizer’s culture, behaviour and manners.
4. But it is informed by both mockery and a certain menace.
  1. 1 and 4
  2. 1 and 2
  3. 3 and 4
  4. 3 and 2
For Bhabha colonial mimicry produces a subject “almost the same, but not quite”, a blurred copy rather than mere imitation, and so is at once resemblance and menace, never far from mockery.

Frantz Fanon

24. The ancestry of postcolonial criticism can be traced to Frantz Fanon’s ________, published in French in 1961 and voicing what might be called “cultural resistance” to France’s African empire.

  1. The Grapes of Wrath
  2. U.S.A. (trilogy)
  3. The Wretched of the Earth
  4. An American Tragedy
Fanon’s The Wretched of the Earth (Les Damnés de la terre, 1961) argued that the colonised must reclaim their own past and culture to resist colonial domination.

25. Frantz Fanon was a ________ from Martinique.

  1. Cardiologist
  2. Paleontologist
  3. Psychiatrist
  4. Podiatrist
Frantz Fanon, born in Martinique, trained as a psychiatrist and worked at Blida in Algeria, analysing the psychology of colonialism in Black Skin, White Masks (1952).

26. The preface to Frantz Fanon’s The Wretched of the Earth was written by

  1. Aimé Césaire
  2. Ania Loomba
  3. Edward Said
  4. Jean-Paul Sartre
Jean-Paul Sartre wrote the famous preface to Fanon’s The Wretched of the Earth (1961), endorsing anti-colonial violence.

27. Which is the correct chronological sequence of Frantz Fanon’s critical works in the order of their publication?

  1. Toward the African Revolution, A Dying Colonialism, The Wretched of the Earth, Black Skin, White Masks
  2. Black Skin, White Masks, A Dying Colonialism, The Wretched of the Earth, Toward the African Revolution
  3. The Wretched of the Earth, Toward the African Revolution, Black Skin, White Masks, A Dying Colonialism
  4. A Dying Colonialism, The Wretched of the Earth, Black Skin, White Masks, Toward the African Revolution
Black Skin, White Masks (1952); A Dying Colonialism (1959); The Wretched of the Earth (1961); Toward the African Revolution (1964, posthumous).

28. Which of the following statements best articulates Frantz Fanon’s political position?

  1. Colonialism will die a natural death without any violent struggle against it.
  2. The African bourgeoisie can never succeed in the task of nation building.
  3. Social oppression in the Third World is a matter more of race than of class.
  4. Peasants and social outcasts have little revolutionary potential in Africa.
In “The Pitfalls of National Consciousness” (The Wretched of the Earth, 1961) Fanon argues the national bourgeoisie is a parasitic intermediary class incapable of genuine nation building.

29. The Wretched of the Earth, a book by Frantz Fanon that analyses the dehumanising effects of colonisation, derives its title from ____.

  1. the opening lyrics of “The Internationale”, a left-wing anthem
  2. Ovid’s Metamorphoses
  3. Dante’s Divine Comedy
  4. lines from the song ‘This Land Is Your Land’
Les Damnés de la terre (1961) takes its title from the opening line of “The Internationale”: “Debout, les damnés de la terre” (Arise, ye wretched of the earth).

Ngũgĩ, Achebe & Writers Back

30. Which Nigerian novelist published his first novel, Things Fall Apart, in 1958 and was criticised by an early reviewer for affecting identity with African villagers?

  1. J.R.R. Tolkien
  2. Kurt Vonnegut
  3. William Faulkner
  4. Chinua Achebe
Chinua Achebe’s Things Fall Apart (1958) presents Igbo society from within; an early reviewer’s condescending remark shows the Eurocentric attitudes postcolonial critics attack.

31. Chinua Achebe was a ________ writer writing in English. Fill in the blank with the most appropriate option from the list given below.

  1. South African
  2. Nigerian
  3. Ethiopian
  4. French
Chinua Achebe, author of Things Fall Apart (1958), was a Nigerian novelist of Igbo background who chose to write in English.

32. Which of the following did Henry Owuor-Anyumba, Taban Lo Liyong and Ngũgĩ wa Thiong’o object to in 1968?

(A) The primacy of English literatures and cultures.
(B) The centrality of Africa in the Department of English.
(C) The primacy of orature in the syllabus.
(D) The focus on the study of the historic continuity of English literature.
Choose the correct answer from the options given below:
  1. Only (A) and (D)
  2. Only (A) and (C)
  3. Only (B) and (C)
  4. Only (C) and (D)
In ‘On the Abolition of the English Department’ (1968) they rejected the primacy of English literature and its historical continuity, demanding that Africa and orature be placed at the centre.

Postcolonialism: General

33. Postcolonial criticism emerged as a distinct category only in the ________.

  1. 1990s
  2. 1970s
  3. 1950s
  4. 2000s
Though rooted in Fanon and Said, postcolonial criticism became a distinct academic category in the 1990s, after The Empire Writes Back (1989) and Bhabha’s Nation and Narration (1990).

34. Postcolonial criticism gained currency through the influence of all the following books except:

  1. The Empire Writes Back
  2. Nation and Narration
  3. The Studs Lonigan Trilogy
  4. In Other Worlds
Nation and Narration (Bhabha, 1990), The Empire Writes Back (Ashcroft, Griffiths and Tiffin, 1989) and In Other Worlds (Spivak, 1987) shaped postcolonialism; Studs Lonigan is James T. Farrell’s fiction.

35. W.B. Yeats was a member of the ________ ruling class in ________.

  1. Jewish / Poland
  2. Amish / Sweden
  3. Protestant / Ireland
  4. Atheist / America
Yeats belonged to the Anglo-Irish Protestant Ascendancy, the ruling class in colonial Ireland, which makes his nationalism a complex case for postcolonial critics.
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36. Postcolonial criticism took as its main subject matter ________ representations of colonial countries and criticised these for their limitations and bias.

  1. White
  2. Red
  3. Black
  4. Gray
Early postcolonial criticism examined white, Western representations of colonised lands, as in Conrad or Forster, exposing their limitations and racial bias.

37. Postcolonial critics would discuss the representation of which place in Joseph Conrad’s Heart of Darkness?

  1. America
  2. Ireland
  3. Australia
  4. Africa
Heart of Darkness (1899) depicts Africa and the Congo; Achebe’s 1975 lecture ‘An Image of Africa’ famously attacked its dehumanising portrayal of Africans.

38. Postcolonial critics reject the claims to universalism made on behalf of canonical ________ literature and seek to show its limitations of outlook.

  1. Southern
  2. Western
  3. Eastern
  4. Northern
Postcolonial critics challenge the claim that canonical Western literature speaks for a universal human condition, revealing its Eurocentric limits and silences about other cultures.

39. Postcolonial critics celebrate hybridity and ________, the situation whereby individuals and groups belong simultaneously to more than one culture.

  1. Affective fallacy
  2. Constative language
  3. Cultural polyvalency
  4. Decorum
Postcolonial critics value hybridity and cultural polyvalency, the state of belonging to more than one culture at once, as in the colonial and the indigenous.

40. “Imagined Communities” is a concept propounded by

  1. Homi Bhabha
  2. Benedict Anderson
  3. Partha Chatterjee
  4. Aijaz Ahmad
Benedict Anderson’s Imagined Communities (1983) defines the nation as an imagined political community, made possible by print capitalism.

41. “Provincializing Europe” is a concept propounded by

  1. Dipesh Chakrabarty
  2. Paul Gilroy
  3. Abdulrazak Gurnah
  4. Edward Said
Dipesh Chakrabarty’s Provincializing Europe (2000) questions the universal claims of European historical thought from a postcolonial, subaltern-studies perspective.

42. Imagined Communities is a book by

  1. Aijaz Ahmad
  2. Edward Said
  3. Perry Anderson
  4. Benedict Anderson
Imagined Communities: Reflections on the Origin and Spread of Nationalism (1983) is by Benedict Anderson, brother of the Marxist historian Perry Anderson.

43. “Imagined Communities” is a concept propounded by

  1. Aijaz Ahmad
  2. Homi Bhabha
  3. Benedict Anderson
  4. Partha Chatterjee
Benedict Anderson defined the nation as an imagined political community, since members never meet most of their fellow members yet feel a shared bond.

44. The rejection of “universalism” is a mark of

  1. Deconstruction
  2. Postcolonial criticism
  3. Structuralism
  4. New Historicism
Postcolonial criticism rejects the universalist claims made for canonical Western literature, showing how they conceal Eurocentric norms and silence cultural difference.

45. Michael Hardt and Antonio Negri prefer to use “Empire” rather than “imperialism”. According to them

  1. The present-day empire does not have an identifiable location or centre; hence we ought to differentiate this view of Empire with an upper-case E
  2. There may be many empires but only one is patently visible and operational; that is denoted by Empire with an upper-case E
  3. There is only one empire and we had better recognise it; hence Empire with an upper-case E
  4. The culturally dominant global empire is the only one that really matters; we signify that Empire with an upper-case E
In Empire (2000) Hardt and Negri describe a decentred, deterritorialised network of global sovereignty with no fixed centre, unlike territorial imperialism.

46. In his book In Theory, Aijaz Ahmad works out the relations between which three entities?

  1. Literature, Print, Theory
  2. Regions, Nations, Languages
  3. State, Religions, Gender
  4. Classes, Nations, Literatures
Aijaz Ahmad’s In Theory: Classes, Nations, Literatures (1992) offers a Marxist critique of postcolonial theory, Jameson and Said.

47. Who wrote African Perspectives on Colonialism?

  1. Albert Adu Boahen
  2. Buchi Emecheta
  3. Ngũgĩ wa Thiong’o
  4. Chinua Achebe
African Perspectives on Colonialism (1987) is by the Ghanaian historian A. Adu Boahen, who stressed African agency and initiative under colonial rule.

48. European colonialism reached its peak during the early ________ century.

  1. seventeenth
  2. eighteenth
  3. nineteenth
  4. twentieth
After the Scramble for Africa, European powers controlled most of the globe by about 1914, so colonialism peaked in the early twentieth century.

49. The Suez Canal was opened in ________.

  1. 1839
  2. 1869
  3. 1939
  4. 1969
The Suez Canal opened in November 1869, shortening the sea route between Europe and Asia and strengthening imperial trade.

50. Which of the following works cannot be categorised under postcolonial theory?

  1. Nation and Narration
  2. Orientalism
  3. Discipline and Punish
  4. White Mythologies
Discipline and Punish is Foucault’s study of the prison; the others are by Bhabha, Said and Robert Young respectively.

51. Which of the following works cannot be categorised under postcolonial theory?

  1. Nation and Narration
  2. Orientalism
  3. Discipline and Punish
  4. White Mythologies
Discipline and Punish is Foucault’s study of the prison; the others are by Bhabha, Said and Robert Young respectively.

52. “Provincializing Europe” is a concept propounded by

  1. Edward Said
  2. Dipesh Chakrabarty
  3. Abdulrazak Gurnah
  4. Paul Gilroy
Dipesh Chakrabarty’s Provincializing Europe (2000) questions the universal claims of European categories of historical thought.

53. Who has given the concept of inter-imperiality?

  1. Laura Doyle
  2. Edward Said
  3. Gayatri Spivak
  4. Vladimir Lenin
Laura Doyle developed inter-imperiality, notably in Inter-imperiality (2020), to describe the interaction of multiple empires shaping world history and literature.

54. Which of these theoretical approaches originated in India?

  1. Race Studies
  2. Ethnicity Studies
  3. Ecofeminist Studies
  4. Subaltern Studies
Subaltern Studies began with Ranajit Guha and a collective of South Asian historians in the early 1980s, writing history from below.

55. Who described the nation as an “imagined community”?

  1. Benedict Anderson
  2. Raymond Williams
  3. Perry Anderson
  4. Stuart Hall
Benedict Anderson, in Imagined Communities (1983), defined the nation as an imagined political community, made possible largely by print capitalism.

56. The term “diaspora” literally means:

  1. Migration
  2. Immigration
  3. Journey
  4. Scattering
Diaspora comes from the Greek diaspeirein, “to scatter” or “to sow over”, and denotes the scattering of a people from their homeland.

57. Match the following:

List I
i. Negritude
ii. Neo-colonialism
iii. Globalectics
iv. World systems theory
List II
a. Ngũgĩ wa Thiong’o
b. Immanuel Wallerstein
c. Birago Diop
d. Kwame Nkrumah
Codes:
i ii iii iv
  1. c d a b
  2. d c b a
  3. b a c d
  4. a d b c
Negritude: Birago Diop; Neo-colonialism: Kwame Nkrumah; Globalectics: Ngũgĩ wa Thiong’o; World systems theory: Immanuel Wallerstein.

58. In subaltern studies, the subaltern is:

  1. a dalit individual
  2. only the colonised
  3. any oppressed individual
  4. one who is not represented in history
Ranajit Guha defines the subaltern by the general attribute of subordination in South Asian society, whether of class, caste, age, gender or office, not only the colonised or dalits.

59. Gauri Viswanathan’s work Masks of Conquest argues that English studies as a subject of study was introduced:

1. To legitimise colonialism
2. To strengthen the colonial administration
3. To satisfy the demands of Christian missionaries
4. To satisfy the demands of the native elite
  1. Only 1 and 2 are correct
  2. Only 3 is correct
  3. Only 1 is correct
  4. All the 4 are correct
Masks of Conquest (1989) shows English literary study in India legitimising and consolidating British rule, serving administration, substituting for missionary religious instruction and answering elite Indian demand.

60. The terms monoglossic, diglossic and polyglossic, used by Bill Ashcroft et al. in The Empire Writes Back, refer to:

  1. Cultural identity
  2. Linguistic communities
  3. Variations in speech
  4. Difference in glossary
The Empire Writes Back (1989) classifies postcolonial linguistic communities as monoglossic, diglossic or polyglossic according to how English coexists with other languages.

61. Postcolonial readings of The Tempest designate Caliban as:

  1. the noble savage
  2. a willing victim
  3. a romantic dreamer
  4. the resistant colonised
Postcolonial critics and rewriters such as Césaire and Lamming read Caliban as the dispossessed native who resists Prospero’s colonial rule and turns the master’s language against him.

62. The superimposition of imperialist importations on indigenous tradition is called ________ in postcolonial studies.

  1. hegemony
  2. hybridization
  3. othering
  4. pluralism
Hybridization denotes the new transcultural forms produced when colonial impositions mix with indigenous traditions, a concept developed by Homi Bhabha.

63. Avtar Brah has written a seminal book on diaspora called ____.

  1. Diaspora and Identity
  2. Diaspora and Transnationalism
  3. Cartographies of Diaspora
  4. Diaspora and Hybridity
Avtar Brah’s Cartographies of Diaspora: Contesting Identities (1996) introduced the concept of “diaspora space”.

64. Which among the following is not a diaspora critic?

  1. Raymond Williams
  2. Paul Gilroy
  3. Robin Cohen
  4. William Safran
Raymond Williams was a Welsh Marxist cultural critic, whereas Safran, Gilroy (The Black Atlantic) and Cohen (Global Diasporas) are major theorists of diaspora.

65. “Oppositional Aesthetics: Readings from a Hyphenated Space” is a book about “diasporics” by ____.

  1. Chandra Talpade Mohanty
  2. Arun Prabha Mukherjee
  3. Uma Parameswaran
  4. Gayatri Spivak
Arun Prabha Mukherjee’s Oppositional Aesthetics: Readings from a Hyphenated Space (1994) examines South Asian Canadian and other minority writing from a diasporic perspective.

66. The concept of the ‘Caliban complex’ was popularised by ____.

  1. Octave Mannoni
  2. Octavio Paz
  3. Ngũgĩ
  4. Léopold Senghor
Octave Mannoni’s Prospero and Caliban: The Psychology of Colonization (1950) reads colonial relations through the Prospero and Caliban complexes of coloniser and colonised.

67. What is the main function of postcolonial criticism?

  1. To show the ways in which most Western literature is superior
  2. To draw attention to the positive effects of colonization on literature
  3. To explain why there are few examples of successful non-Western literature
  4. To represent the relationship between colonizers and the colonized
Postcolonial criticism examines the power relations between coloniser and colonised and how literature represents, sustains or resists colonial domination.

Passage-Based Questions

Read the following passage and answer the questions that follow.

The term ‘postcolonial literature’ is a relatively new addition to the lexicon of literary study and is used to highlight a particular genre of writing. However, this genre is both highly flexible and sometimes difficult to define. Put simply, postcolonial literature can be defined as literature produced by countries that gained independence from colonial rule in the twentieth century. In 1900 the British Empire covered a pink swathe of the globe that included the Indian subcontinent and other parts of Asia, much of Africa, Australia, Canada, Ireland, many Caribbean islands, as well as numerous scattered smaller possessions. By 2000, the vast majority of the countries in these areas had become independent nations.

68. Which of the following is not a reason for the replacement of ‘Commonwealth literature’ with ‘postcolonial literature’?

  1. It ignored historical processes
  2. It did not foreground the relationship between the colonial past and the present
  3. It was idealistic in nature
  4. The term was based only on geographical considerations
The label Commonwealth literature was dropped because it was merely geographical, ignored historical processes and obscured the link between the colonial past and the present; idealism was not the objection.

69. The writer suggests that postcolonial writers ____.

  1. write authentically on their own
  2. are universal in their appeal
  3. are politically correct
  4. are located in a historical context
The passage frames postcolonial literature historically, as writing from nations emerging from colonial rule in the twentieth century, so its writers are situated in a specific historical context.

70. What reason does the writer attribute for the specificity of postcolonial texts?

  1. The creative skills of the writers
  2. The nature of the empire itself
  3. The developments in literary theory
  4. The developments within Commonwealth literature
The passage ties postcolonial writing to the reach of the British Empire across Asia, Africa, Australia, Canada, Ireland and the Caribbean, so its specificity derives from the nature of empire itself.

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