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500+ Literary Criticism MCQs – Part 2: Horace & Longinus

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This part covers Horace’s Ars Poetica and Roman criticism, and Longinus’s On the Sublime with its five sources of sublimity. The questions are drawn from previous UGC NET, SET and PhD entrance papers. Tap an option to check your answer and see the explanation.

Horace & Roman Criticism

1. The author of Ars Poetica is:

  1. Plato
  2. Horace
  3. Virgil
  4. Aristotle
Ars Poetica (The Art of Poetry) was written by the Roman poet Horace around 19 BCE.

2. What does the phrase ‘ut pictura poesis’ from Horace’s Art of Poetry mean?

  1. “As in painting, so in poetry”
  2. “Poetry beggars pictorial description”
  3. “As in poetry, so in painting”
  4. “Picture above all poetry”
‘Ut pictura poesis’ literally translates to ‘as is painting, so is poetry’ — comparing the two sister arts.

3. Who among the following theorists formulated the concept of utile dulci, profit combined with delight?

  1. Plato
  2. Aristotle
  3. Horace
  4. Longinus
Horace formulated ‘utile dulci’ (the useful with the pleasant) in Ars Poetica, arguing poetry should both instruct and delight.

4. Odes and Epodes was written by:

  1. Longinus
  2. Horace
  3. Aristotle
  4. Plato

5. Who called the poet a Vates (prophet/seer)?

  1. Greeks
  2. Romans
  3. Italians
  4. Squamards

Longinus

6. According to Longinus, the sublime has the following features EXCEPT:

  1. It is the essence of all great poetry and oratory
  2. It is interested in the usual rhetorical goal of persuasion
  3. It valorizes a special use of language
  4. It is a matter of reader-response
Longinus argues the sublime transcends mere persuasion — it transports the audience rather than simply convincing them.

7. What, among the following, is ruled out by Longinus as a way of achieving the sublime?

  1. Great thoughts
  2. Immoderate emotion
  3. Noble diction
  4. Dignified and elevated word arrangement
Longinus lists five sources of the sublime but excludes immoderate (excessive) emotion — passion must be appropriate, not uncontrolled.

8. Of the five conditions of the Sublime according to Longinus, the most important is:

  1. Vigorous treatment of passions
  2. Majesty of the structure
  3. A lofty cast of mind
  4. A wide range of thoughts
Longinus ranks ‘a lofty cast of mind’ (greatness of thought springing from noble character) as the foremost source of the sublime.

9. Which one of the following is the fourth source of sublime as defined by Longinus?

  1. Dignity of composition
  2. Capacity of strong emotions
  3. Grandeur of thought
  4. Nobility of diction

10. Who said, “The effect of elevated language upon audience is not persuasion but transport.”?

  1. Cacecilius
  2. Plotinus
  3. Horace
  4. Longinus

11. How many principal sources of Sublimity are there according to Longinus?

  1. Three sources
  2. Four sources
  3. Five sources
  4. No definite number of sources

12. Longinus says that ‘Great literature springs from great and ___.’

  1. Lofty souls
  2. Immortal ideas
  3. High imagination
  4. Nobility of diction

13. ‘On the Sublime’ is a piece of:

  1. Dramatic
  2. Poetic
  3. Prose
  4. Conversational

14. In whose opinion has Longinus ‘turned and tempered them with what is Sanest in Classicism’?

  1. Atkins
  2. Gibbons
  3. Scott James
  4. Saintsbury

15. Complete Longinus’ declaration that, ‘sublimity is a certain loftiness and excellence in ___.’

  1. Poetry
  2. Style
  3. Language
  4. None of these

16. Choose the correct statements about Longinus’ On the Sublime:

1. Longinus believes that in the Odyssey, Homer couldn’t preserve the sustained energy of the Iliad.
2. Throughout the treatise Longinus harshly criticises the prose style of Plato.
3. Longinus regards extreme conciseness as the hallmark of sublimity.
4. According to Longinus, Sappho has exceptional skill in combining striking emotions into a single whole.

  1. 1, 3 and 4
  2. 2 and 3
  3. 2, 3 and 4
  4. All the above
Statements 1 and 4 are from Longinus. Longinus actually praises Plato’s style (statement 2 is wrong). He regards both sublimity and compression positively, but does not restrict sublimity exclusively to conciseness — making 1, 3, and 4 the best available option.

17. In whose opinion was Longinus’ “classicism touched with romance”?

  1. Abercrombie
  2. Scott James
  3. Wimsatt
  4. Atkins
Lascelles Abercrombie described Longinus’ approach as “classicism touched with romance,” acknowledging that while Longinus followed classical principles, his emphasis on passion, transport, and emotional ecstasy anticipates Romantic sensibilities.

18. Whom has Longinus advised to imitate in poetry?

  1. Rules and regulations
  2. Great classical masters
  3. Contemporary literature
  4. Nature and art
Longinus urges aspiring writers to emulate the great classical masters — Homer, Plato, Demosthenes, Thucydides — by asking how these masters would have expressed the same thought, and allowing their greatness to inspire the writer’s own sublimity.

19. The two types of the sublime are:

  1. Excellence and grandeur
  2. Harmony and rhythm
  3. Epic and tragedy
  4. True and false
Longinus distinguishes between true sublimity (arising from greatness of soul, strong emotion, and noble expression) and false sublimity (bombast and mere grandiosity) — the two broad types can be broadly termed excellence and grandeur versus their false imitations.

20. In explaining the sublime, Longinus places emphasis on the great spirit of the:

  1. Text
  2. Art
  3. Writer
  4. Nature
Longinus calls sublimity “the echo of a great soul.” The first and most important source of the sublime is the writer’s capacity for great conceptions.

21. Longinus declares that the true sublime pleases all and pleases:

  1. Always
  2. Forever
  3. Everywhere
  4. Instantly
Longinus says that true sublimity “pleases all and pleases always.” Its lasting appeal across readers and ages is the test of genuine greatness.

22. What does Longinus mean by ‘Puerility’?

  1. Dramatic effect
  2. Rhythm
  3. Pedantic conceit
  4. Hyperbole
For Longinus, puerility is a fault of pedantic, over-elaborate thought that ends in frigid failure. It comes from trying to be clever and striking.
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