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500+ Literary Criticism – (100-200 Questions)

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📚 Literary Criticism — PYQs Part 2 (UGC NET English)
1. For Coleridge, our power to perceive symbols gleaned from the world about us is related to the category of:
  • (A)Primary imagination
  • (B)Secondary imagination
  • (C)Fancy
  • (D)Intuition
2. What, among the following, is ruled out by Longinus as a way of achieving the sublime?
  • (A)Great thoughts
  • (B)Immoderate emotion
  • (C)Noble diction
  • (D)Dignified and elevated word arrangement
3. In The Advancement of Learning Bacon noted the need for more studies of:
I. Moral knowledge
II. Forbidden knowledge
III. Civil knowledge
IV. Spiritual knowledge

The correct combination according to the code is:

  • (A)I and III
  • (B)I and IV
  • (C)II and III
  • (D)II and IV
4. As Sidney argues in A Defence of Poesy, which discipline is more useful and praiseworthy — history or poetry?
  • (A)History “being captivated to truth” is more useful than poetry.
  • (B)Poetry where man can see “virtue exalted and vice punished” is more useful than history.
  • (C)History is more useful for poetry is “an encouragement to unbridled wickedness”.
  • (D)History and poetry are synonymous, and so both are useful.
5. Which of the following books proposes a political theory?
  • (A)Principia
  • (B)Leviathan
  • (C)Anatomy of Melancholy
  • (D)Liberty of Prophesying
6. A philosophical attitude pervading much of modern literature is:
  • (A)Absurdism
  • (B)Dadaism
  • (C)Imagism
  • (D)Surrealism
7. ‘Fancy’ deals with:
  • (A)Fixities and definites
  • (B)Imagination and Reason
  • (C)Judgement and Memory
  • (D)Structure and Superstructure
8. With whom was Dr. Johnson intimately associated in his personal life?
  • (A)Boswell
  • (B)Dryden
  • (C)Alexander Pope
  • (D)Lord Bolingbroke
9. Dr. Johnson’s “The Vanity of Human Wishes” expresses:
  • (A)Epicureanism
  • (B)Humanism
  • (C)Stoicism
  • (D)Cynicism
10. “He is not fully recognized at home; he is not recognized at all abroad. Yet I firmly believe that the poetical performance of __________ is, after that of Shakespeare and Milton, undoubtedly most considerable in our language.” To whom does Matthew Arnold refer?
  • (A)Edmund Spenser
  • (B)John Keats
  • (C)William Wordsworth
  • (D)S.T. Coleridge
11. The concept of human mind as tabula rasa or blank tablet was propounded by:
  • (A)Bishop Berkeley
  • (B)David Hume
  • (C)Francis Bacon
  • (D)John Locke
12. Which romantic poet coined the famous phrase ‘spots of time’?
  • (A)John Keats
  • (B)William Wordsworth
  • (C)S.T. Coleridge
  • (D)Lord Byron
13. Who, amongst the following, does not belong to the ‘Great Tradition’, enunciated by F.R. Leavis?
  • (A)Joseph Conrad
  • (B)James Joyce
  • (C)Jane Austen
  • (D)George Eliot
14. Put the following books of Pope in a sequence of publication:
(i) The Dunciad
(ii) The Rape of the Lock
(iii) An Essay on Man
(iv) An Essay on Criticism
  • (A)(ii), (iii), (i), (iv)
  • (B)(i), (ii), (iii), (iv)
  • (C)(iv), (ii), (i), (iii)
  • (D)(ii), (i), (iv), (iii)
15. The term “egotistical sublime” was coined by:
  • (A)S.T. Coleridge
  • (B)John Keats
  • (C)William Wordsworth
  • (D)William Hazlitt
16. “The future of poetry is immense, because in poetry… our race, as time goes on, will find an ever surer and surer stay.” This claim for poetry is made in:
  • (A)Arnold’s “The Study of Poetry”
  • (B)Shelley’s “A Defence of Poetry”
  • (C)Sidney’s “An Apology for Poetry”
  • (D)Eliot’s Of Poetry and Poets
17. Plato censured poetry because he believed it:
  • (A)Eliminates the ego
  • (B)Promotes sensuality
  • (C)Distorts reality
  • (D)Cripples the imagination
18. Thomas Paine’s The Rights of Man was published in:
  • (A)1790
  • (B)1791
  • (C)1792
  • (D)1793
19. In Dryden’s Essay of Dramatic Poesy (1668), who opens the discussion on behalf of the ancients?
  • (A)Lisideius
  • (B)Crites
  • (C)Eugenius
  • (D)Neander
20. Whom did Keats regard as the prime example of ‘negative capability’?
  • (A)John Milton
  • (B)William Wordsworth
  • (C)William Shakespeare
  • (D)P.B. Shelley
21. “He found it [English] brick and left it marble”, remarked one great writer on another. Who were they?
  • (A)Milton on Shakespeare
  • (B)Dryden on Milton
  • (C)Johnson on Dryden
  • (D)Jonson on Shakespeare
22. Match the following:
1. Good sense is the body of poetic genius
2. Poetry is the breath and a finer spirit of all knowledge
3. Literary criticism is a description and evaluation of its object
4. Nature never set forth the earth in as rich a tapestry as diverse poets have done

Match with: I. Brooks, II. Sidney, III. Wordsworth, IV. Coleridge

  • (A)IV, III, I, II
  • (B)II, IV, III, I
  • (C)III, II, I, IV
  • (D)IV, II, I, III
23. “The story and the novel, the idea and the form, are the needle and thread, and I never heard of a guild of tailors who recommended the use of the thread without the needle, or the needle without the thread.” This passage is found in:
  • (A)Sir Philip Sidney, An Apology for Poetry
  • (B)Samuel Taylor Coleridge, Biographia Literaria
  • (C)Henry James, “The Art of Fiction”
  • (D)I.A. Richards, Principles of Literary Criticism
24. William Wordsworth’s statement of purpose in publishing the Lyrical Ballads carries the following phrase. Complete it correctly: “to choose incidents from common life and to relate or describe them, throughout, as far as possible, ______.”
  • (A)in a selection of language really used by men.
  • (B)in a relation to language really used by men.
  • (C)in a selection of language really used by common man.
  • (D)in deference to language actually used by men.
25. One English poet addressing another: “Thy soul was like a Star, and dwelt apart; / Thou hast a voice whose sound was like the sea…” Whose lines are these? To whom are they addressed?
  • (A)W.H. Auden – W.B. Yeats
  • (B)P.B. Shelley – William Blake
  • (C)William Wordsworth – John Milton
  • (D)Ben Jonson – William Shakespeare
26. Samuel Johnson’s Lives of Poets (1781) was originally a series of introductions to the poets he wrote for a group of London publishers. They were collected as:
  • (A)Lives of English Poets: Critical and Biographical Essays.
  • (B)Prefaces, Biographical and Critical, to the Works of English Poets.
  • (C)Notes, Biographical and Critical, on the Works of English Poets.
  • (D)Lives of English Poets: Biographical and Critical Notes.
27. Who claimed: “I have not published a single paper that is not written in a spirit of benevolence and with a love of mankind”?
  • (A)Pope
  • (B)Dryden
  • (C)Swift
  • (D)Addison
28. In the Advancement of Learning, Bacon analysed the principal obstacles to the advancement of learning. Identify the one he did NOT mention as an obstacle:
  • (A)Rhetoric
  • (B)Medieval scholasticism
  • (C)Inductive method
  • (D)Pseudo sciences
29. Who among the following theorists formulated the concept of utile dulci, profit combined with delight?
  • (A)Plato
  • (B)Aristotle
  • (C)Horace
  • (D)Longinus
30. Out of the four humours of the body, the Jacobeans thought of themselves as especially prone to:
  • (A)Choler
  • (B)Blood
  • (C)Phlegm
  • (D)Melancholy
31. In the Defence of Poetry, what did Sidney attribute to poetry?
  • (A)A magical power whereby poetry plays tricks on the reader.
  • (B)A divine power whereby poetry transmits a message from God to the reader.
  • (C)A moral power whereby poetry encourages the reader to evaluate virtuous models.
  • (D)A realistic power that cannot be made to seem like mere illusion and trickery.
32. Locke’s Essay Concerning Human Understanding is a classic statement of _________ Philosophy.
  • (A)Aesthetic
  • (B)Empiricist
  • (C)Nationalist
  • (D)Realist
33. The Uncertainty Principle is attributed to:
  • (A)William James
  • (B)John Dewey
  • (C)Werner Heisenberg
  • (D)Charles Darwin
34. Philosophy of Symbolic Forms is a work associated with:
  • (A)Wilhelm von Humboldt
  • (B)Ernst Cassirer
  • (C)Immanuel Kant
  • (D)Battista Vico
35. “All Rising to Great Place is by a _____ staire.” (Francis Bacon)
  • (A)Murky
  • (B)Winding
  • (C)Crooked
  • (D)Sinister
36. New Science is a work associated with:
  • (A)Ernst Cassirer
  • (B)Wilhelm von Humboldt
  • (C)G. Battista Vico
  • (D)Immanuel Kant
37. Which of the following works is not actually a prose essay?
  • (A)Essay of Dramatic Poesy
  • (B)Essay on Man
  • (C)An Essay Concerning Human Understanding
  • (D)An Essay Towards a New Theory of Vision
38. Identify the incorrect factor in Henry James’ theory of the novel:
  • (A)It should be sentimental
  • (B)It should be objective
  • (C)It should be realistic
  • (D)It should be viewed as an artistic form
39. D.H. Lawrence popularized the concept of ………… in his novels.
  • (A)Realism
  • (B)Naturalism
  • (C)Primitivism
  • (D)Expressionism
40. In the Defense of Poesy, Sidney says: “Now as in geometry the oblique must be known as well as right…” Which form of poesy offers a foil that helps us perceive the beauty of virtue?
  • (A)Pastorals
  • (B)Parody
  • (C)Comedy
  • (D)Tragedy
41. In his “Study of Poetry” Arnold cited ‘touchstones’ from Homer, Dante, Shakespeare and Milton. Which English poet did he disapprovingly call “not one of the great classics”?
  • (A)Chaucer
  • (B)Sidney
  • (C)Spenser
  • (D)Donne
42. In the lines “With gold jewels cover every part, / And hide with ornaments their want of art” (Essay on Criticism), Pope rejects:
  • (A)The ‘Follow Nature’ fallacy
  • (B)Artificiality
  • (C)Aesthetic order
  • (D)Poor taste
43. The author of the essay “Silly Novels by Lady Novelists” is:
  • (A)George Eliot
  • (B)Henry James
  • (C)Oscar Wilde
  • (D)Richard Steele
44. In which chapter of Poetics does Aristotle use the word ‘catharsis’ in his definition of tragedy?
  • (A)Chapter IV
  • (B)Chapter VI
  • (C)Chapter III
  • (D)Chapter V
45. Match the following critics and essays:
(a) “The Function of Criticism”
(b) “The Function of Criticism at the Present Time”
(c) The Function of Criticism: From ‘The Spectator’ to Poststructuralism
(d) “The Function of English at the Present Time”

Match with: (i) Terry Eagleton, (ii) Richard Ohmann, (iii) Matthew Arnold, (iv) T.S. Eliot

  • (A)(iv), (iii), (i), (ii)
  • (B)(i), (ii), (iii), (iv)
  • (C)(iii), (iv), (i), (ii)
  • (D)(ii), (iii), (iv), (i)
46. Samuel Johnson’s use of the term “metaphysical” in a piece of criticism was:
  • (A)Approving
  • (B)Disapproving
  • (C)Positive
  • (D)Accidental
47. F.R. Leavis and Q.D. Leavis launched a critical journal devoted to the moral centrality of English Studies. Name the Journal.
  • (A)The English Historical Review
  • (B)The Criterion
  • (C)Scrutiny
  • (D)The Edinburgh Review
48. In “Tradition and Individual Talent” Eliot describes the workings of the poet’s mind in terms of which of the following?
  • (A)Natural selection
  • (B)A chemical reaction
  • (C)A flowing river
  • (D)A cornucopia
49. The pre-eminent evaluative criterion of F.R. Leavis’s Great Tradition is:
  • (A)Moral purpose
  • (B)Sublime subject matter
  • (C)Reader-response
  • (D)Truth to life
50. In “Tradition and Individual Talent”, according to T.S. Eliot, the term “Traditional” usually means:
  • (A)Something positive
  • (B)Something negative
  • (C)Something historical
  • (D)Something old
51. Which of the Aristotelian dramatic unities does Johnson believe Shakespeare observes most successfully?
  • (A)Time
  • (B)Place
  • (C)Action
  • (D)Johnson does not feel that the Aristotelian dramatic unities are important
52. In his Defence of Poesy, which works does Sidney commend as good examples of English Poesy?
I. The Mirror of Magistrates
II. The Shepherd’s Calendar
III. Lament for the Makers
IV. Ballad of Scottish King

The correct combination is:

  • (A)I and III
  • (B)I and IV
  • (C)I and II
  • (D)II and III
53. In “Tradition and the Individual Talent” T.S. Eliot uses the analogy of the catalyst. In the poetic process, the filament of platinum is equivalent to:
  • (A)The language of the poet
  • (B)The mind of the poet
  • (C)The soul of the poet
  • (D)The life of the poet
54. Samuel Johnson’s Lives of the English Poets combines the following EXCEPT:
  • (A)Analytical criticism
  • (B)Literary history
  • (C)Personal biography
  • (D)Socratic dialogue
55. In the biography of which poet in his Lives of Poets did Johnson make his famous remark about “metaphysical poets”?
  • (A)John Dryden
  • (B)Thomas Parnell
  • (C)Abraham Cowley
  • (D)Alexander Pope
56. In An Essay of Dramatic Poesy, whom does Dryden refer to as “the most learned and judicious Writer which any Theatre ever had”?
  • (A)John Webster
  • (B)Christopher Marlowe
  • (C)Ben Jonson
  • (D)William Shakespeare
57. Francis Bacon’s New Atlantis is about a utopian state called:
  • (A)Asgard
  • (B)Avalon
  • (C)Bensalem
  • (D)Baltia
58. What does Philip Sidney call poet-haters in his Defence of Poesie?
  • (A)Misogynists
  • (B)Misanthropes
  • (C)Misnomers
  • (D)Mysomousoi
59. The four Moral Essays of Alexander Pope are addressed to carefully selected figures. Identify:
  • (A)Timons, Newton, Martha Blount, Wellington
  • (B)Lord Cobham, Robert Walpole, Houghton Hall, Chandos
  • (C)Martha Blount, Lord Cobham, Bathurst, Burlington
  • (D)William III, John Haydn, Joseph Addison, John Dennis
60. Where, according to T.S. Eliot, are we likely to find “not only the best, but the most individual parts of a poet’s work”?
  • (A)In the poet’s juvenilia or rejected drafts.
  • (B)In the best anthologies and scrap-books.
  • (C)In those parts where the dead poets assert their immortality.
  • (D)In those parts where the living poets depart from their ancestors.
61. Samuel Johnson criticises an English poet: “These images are marked by glittering accumulations of ungraceful ornaments… His art and his struggle are too visible.” Identify the poet.
  • (A)Thomas Gray
  • (B)John Dryden
  • (C)John Milton
  • (D)Thomas Wyatt
62. Who among the ancients prescribed that poetry should both instruct and delight?
  • (A)Longinus
  • (B)Plotinus
  • (C)Aristotle
  • (D)Horace
63. In his essay “The Function of Criticism at the Present Time” (1864), Matthew Arnold contended that:
  • (A)Creative and critical powers should be ranked equally
  • (B)Creative and critical powers are not comparable in any way
  • (C)Critical power should be ranked higher than creative power
  • (D)Creative power should be ranked higher than critical power
64. Why did Plato banish the poet from his ideal state?
  • (A)Poetry makes an artificial distinction between form and content
  • (B)Poetry deals with form, to the neglect of content
  • (C)The poet can never produce a completely accurate replica of reality
  • (D)In representing the sensual aspects of reality, the poet fails to discern the transcendent reality behind mere appearance
65. Identify the two correct statements in Johnson’s criticism of Shakespeare:
(a) His Athenians are not sufficiently Greek and his kings not completely royal.
(b) He sacrifices virtue to convenience and is more careful to please than to instruct.
(c) He adheres to strict chronology and gives to one age or nation only its own customs.
(d) He sacrifices reason, propriety and truth to pursue even a poor and barren quibble.
  • (A)(a) and (b)
  • (B)(a) and (c)
  • (C)(c) and (d)
  • (D)(b) and (d)
66. Which two writers have written essays on the defence of poetry?
(a) Sir Philip Sidney
(b) P.B. Shelley
(c) Matthew Arnold
(d) T.S. Eliot
  • (A)(a) and (d)
  • (B)(a) and (c)
  • (C)(c) and (d)
  • (D)(a) and (b)
67. What, in sum, is Sidney’s point in: “Nature never set forth the earth in so rich tapestry as divers poets have done… Her world is brazen, the poets only deliver a golden”?
  • (A)Works of art are superior to the natural world they represent
  • (B)Works of art can often compete with the natural world
  • (C)Neither the poets nor the natural world equal nature’s rich tapestry
  • (D)The natural world is far superior to the works of art
68. Why did T.S. Eliot assert that Virgil, not Homer, is the poet of Europe?
  • (A)There are some initial moral concerns in Virgil
  • (B)Virgil belongs to the Roman period
  • (C)Homer was a pagan who was a renegade
  • (D)Virgil wrote in Latin while Homer wrote in Greek
69. Which of Plato’s beliefs/acts was Shelley countering by saying “poets are the unacknowledged legislators of mankind”?
  • (A)Banishment of poets from the republic
  • (B)Distrust of value of poetry for mankind
  • (C)Preference for legislators over poets
  • (D)Description of poets as mad men
70. Which of the following statements is correct?
  • (A)Langue is the language system, and Parole, the individual usage.
  • (B)Langue is the language usage, and Parole, the individual system.
  • (C)Langue is the language in abeyance, and Parole, the individual application.
  • (D)Langue is the language collective, and Parole, the individual deviation.
71. Of the five conditions of the Sublime according to Longinus, the most important is:
  • (A)Vigorous treatment of passions
  • (B)Majesty of the structure
  • (C)A lofty cast of mind
  • (D)A wide range of thoughts
72. What does Socrates mean when in Plato’s Ion, he says “Poets are nothing but the interpreters of gods”?
  • (A)The poets are the makers of their poems
  • (B)The poets are acutely aware of gods in composing their poems
  • (C)The poets are divinely possessed when they compose their poems
  • (D)The poets first hear what gods say then put that into words
73. Following Plato, which two statements about ‘Phantasm and Semblance’ are correct?
1. ‘Phantasm’ is an image, while ‘Semblance is the real object’.
2. ‘Phantasm’ is the real object while ‘Semblance is only a resemblance’.
3. ‘Phantasm’ unlike semblance has the same proportions as the object.
4. Semblance is ‘unreal’ but looks ‘real’ as compared to phantasm.
  • (A)(b) and (c)
  • (B)(c) and (d)
  • (C)(a) and (b)
  • (D)(d) and (a)
74. Which of the following is true of Aristotle’s Critical Position?
  • (A)Writers are likely to be mere entertainers who appeal to emotions and passions.
  • (B)Texts created by poets are almost inevitably inaccurate as imitations.
  • (C)The best artistic texts will be both complex and unified: every part essential and linked to every other part.
  • (D)Texts should be judged on the basis of how accurately they imitate philosophical truth.
75. Match the critics with their texts:
A. Horace
B. John Dryden
C. Samuel Daniel
D. Ben Jonson

I. A Defence of Rhyme, II. Timber: or, Discoveries, III. Ars Poetica, IV. Of Dramatic Poesy

  • (A)A–II, B–I, C–IV, D–III
  • (B)A–III, B–IV, C–II, D–I
  • (C)A–III, B–IV, C–I, D–II
  • (D)A–II, B–IV, C–I, D–III
76. Who said of blank verse, quoting an unnamed critic, that it is “verse only to the eye”, adding it “has neither the easiness of prose, nor the melody of numbers”?
  • (A)John Dryden
  • (B)Alexander Pope
  • (C)Samuel Taylor Coleridge
  • (D)Samuel Johnson
77. Which statement is true about Aristotle’s Poetics?
  • (A)He asserted poetry’s value by integrating rhetoric and imitation.
  • (B)He asserted poetry’s value by focusing on both rhetoric and imitation.
  • (C)He asserted poetry’s value by giving preference to rhetoric over imitation.
  • (D)He asserted poetry’s value by focusing on imitation (mimesis) rather than rhetoric.
78. Arrange the following in chronological order of publication:
A. Advancement of Learning
B. The Origin of Species
C. On Heroes and Hero Worship
D. The Lives of the Poets
  • (A)D, A, C, B
  • (B)D, A, B, C
  • (C)A, D, C, B
  • (D)A, D, B, C
79. Poetry according to Sir Philip Sidney is of three kinds. They are:
  • (A)Religious, dramatic, romantic
  • (B)Classical, romantic, neo-classical
  • (C)Philosophical, imaginative, narrative
  • (D)Religious, philosophical, imaginative
80. Which according to Thomas Hobbes is the only ‘science’ God has bestowed on mankind, that informs the structure of Leviathan?
  • (A)Astronomy
  • (B)Architecture
  • (C)Occult sciences
  • (D)Geometry
81. The “Preface to the Lyrical Ballads” was first published in:
  • (A)1798
  • (B)1800
  • (C)1801
  • (D)1802
82. The theory of the impersonality of the poet was put forward by:
  • (A)Samuel T. Coleridge
  • (B)Samuel Johnson
  • (C)T.S. Eliot
  • (D)W.S. Merwin
83. Who said “No poet, no artist of any art, has his complete meaning alone”?
  • (A)T.S. Eliot
  • (B)I.A. Richards
  • (C)F.R. Leavis
  • (D)Raymond Williams
84. Who in “An Essay of Dramatic Poesy” by Dryden represents the Ancients?
  • (A)Lisideius
  • (B)Crites
  • (C)Eugenius
  • (D)J. Dryden
85. Shelley defends poetry against the attack of:
  • (A)Robert Southey
  • (B)Walter Scott
  • (C)Thomas Love Peacock
  • (D)Samuel T. Coleridge
86. Among the following, identify the correct statement about New Criticism:
  • (A)New criticism considers text as a cultural construct
  • (B)New criticism considers text as a product of history
  • (C)New criticism considers text as a repository of authorial intentions
  • (D)New criticism considers text as an autonomous, ontological and organic whole
87. Which of the following is not written by Wordsworth?
  • (A)The Prelude
  • (B)The Excursion
  • (C)A Vision of Judgement
  • (D)The Borderers

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